In the heart of the nation's capital, in a courthouse of the U.S. government, one man will stop at nothing to keep his honor, and one will stop at nothing to find the truth.

Not really: Norwegian soprano Lise Davidsen, who’s shown she indispensable in roles from Tchaikovsky’s QUEEN OF SPADES to Strauss’s ARIADNE AUF NAXOS starts her maternity leave at the end of her Met ...

If you believe musical performance fundamentally is an expression of freedom, then “Fidelio,” Ludwig van Beethoven’s only opera, is your über text. The famed work is now at Lyric Opera of Chicago with ...

The Washington National Opera’s production of Beethoven’s Fidelio is a triumph of elegant, efficient style and directorial finesse. Director Francesca Zambello re-invigorates the somewhat uninspired ...

If “operatic” is a synonym for “big,” Herman Melville’s sprawling novel “Moby-Dick” should be ideal source material for the stage. Jake Heggie’s 2010 operatic treatment certainly took up a lot of ...

Garsington’s airy and luminous opera pavilion challenges any interpreter of a work so filled – dramatically and musically – with the subterranean darkness of buildings, of institutions, and of the ...

Is Fidelity to Fidelio essential? To what extent do we, as observers of injustice, have a responsibility to act? The new revival of Tobias Kratzer’s Fidelio production from the Royal Ballet and Opera ...