In the 1950s, Jonah Kinigstein was on the verge of making it big in New York's art world. He won a Fulbright to Rome. His paintings got into the Whitney Museum's annual show of contemporary art (the ...

It is hard to tell if abstract painting actually got worse [after the 1960s], if it merely stagnated, or if it simply looked bad in comparison to the hopes its own accomplishments had raised. —Frank ...

FOR half a century art critics have undertaken to address not a sophisticated minority like the readers of literary magazines, but the mass of unbelievers to whom twentieth-century art is a mystery or ...