Along with a release date reveal, the team behind Invincible VS sat down with CGMagazine to discuss their all-original ...

Composer Max Richter turned to Elizabethan-era instruments and a women’s choir to help find “Hamnet’s” emotional tone.

In Rian Johnson’s latest whodunnit, Josh O’Connor plays a Catholic priest trying to restore moral order at a church befouled ...

The annual onslaught of holiday shows has overtaken local stages, and they’re a cherished part of the season for many folks.

About a week after his last day at Latham & Watkins’ Brussels office, Sven Völcker relocated to Madrid to embark on a second ...

In this week's episode of The Envelope podcast, Tonatiuh discusses 'Kiss of the Spider Woman' and Kate Hudson talks 'Song ...

Carlton V. Bell II won second place in GLAAD + STARZ TV Pilot Pitch Competition with a series that will destigmatize HIV.

The cast and filmmaking crew of the blockbuster hit break down the movie’s biggest races, and how they gained unprecedented ...

Aside from the tone, the key was finding the sound of the Creature, played by Jacob Elordi. In del Toro’s “Frankenstein,” the ...

Daniel Blumberg says his motto writing music for The Testament of Ann Lee was "it has to be as extreme as possible." ...

Direct-address, an old playwriting technique, has been retooled by a new crop of playwrights (Bess Wohl, Jordan Tannahill, ...

These are just a few of the offbeat techniques and concepts employed by the composers of “Hedda,” “The Testament of Ann Lee,” ...