2 days ago · Gordon Brockhouse is SoundStage! Network managing editor and the senior editor for SoundStage! Simplifi. Location: Canada Read him on Simplifi Dennis Burger

Published monthly since 1995, SoundStage! is the world's leading publication for high-end audio and music. It is part of the SoundStage! Network, a world of websites for audio, music, video, and movie …

Concerning SoundStage! ’s Reviewers' Choice appellation, readers will find me to be discriminating in the extreme. That said, on this combination of refined performance, tank-like build quality and high …

With the LS26 in my system, a brightly lit, wide-open soundstage virtually exploded out of my speakers, bristling with spatial and tonal information. Performers were located precisely in space, surrounded …

The soundstage comes alive, giving the impression of a much bigger space re-created in the smaller space of my listening room. If you audition the No.39, you need to hear it balanced or you will not …

The excellent Clayton M-70 class A monoblock amplifiers (see full SoundStage! review by Marc Mickelson and my Follow-Up Review in the Archives) have a suave sound, revealing resolution and …

That being said, I find the RLD-1 slots neatly between the two in that it combines the silky midrange and slightly sweet highs of the tubes with the impact, control, and speed of the solid state, and all of the …

So let’s start with the soundstage, which in terms of the Sonatinas is a function of their very extended yet even treble, the region that portrays the ambience, air and spatial cues they can dig out of a recording.

Properly positioned, the CM1s can immerse the listener in a deeply layered three-dimensional soundstage with stellar imaging, the only caveat being a slight compression of soundstage height. …

For a much more complete technical explanation of how the Power Plant does the voodoo it does, I suggest visiting PS Audio’s website or reading the SoundStage! review of the P300.